There’s no singing and playing at the same time in any context. One killer feature borrowed from the AudioFuse is that on the back there’s an extra USB hub socket into which you could plug such things as your MIDI controller, thumb drive or dongle.Ī single input, as we find on the MiniFuse 1, never seems quite enough to me. The USB connection on the back is USB‑C and they come with a USB‑C to regular USB cable for which I’m grateful. On the MiniFuse 2 the +48V switch turns on power for both inputs rather than individually. Both interfaces get a six‑segment LED output level meter, +48V phantom power, single headphone output and a Hi‑Z switch for each input. On the MiniFuse 1 you get a Direct Monitoring button for switching between software or direct monitoring whereas on the MiniFuse 2 you have a knob that mixes between software and direct sound plus a Direct Mono switch to let you listen to inputs 1 and 2 in mono rather than in stereo with one either side. The 2 also has the very welcome old‑school MIDI In and Out ports on the back. In terms of physical differences between the MiniFuse 1 and 2, the MiniFuse 2 has two combi inputs for mic, line or guitar, whereas the MiniFuse 1 has a single combi input. As soon as you plug cables in the back to your speakers, or if you place the interfaces further back so the desk takes some of the cable weight, then it’s all good. This is where I plug in some headphones and an XLR cable into each mic socket to see if the box tilts forward when on the edge of a desk - they both fail, but this is not uncommon and I should note that the MiniFuse 2 was able to stay still with a single mic plugged in. So, they are not lightweight but they are also not heavy enough to pass my cable hang test. They would survive a drop, being bounced around in a rucksack and being trodden on. The metal case makes them very solid and there was no give no matter how much I squeezed or poked the boxes. The main large Monitor knob is a nine‑sided nonagon that feels nice beneath the fingers and those edges give you a little bit of positional feedback. The knobs are tapered, shaped and rubberised and have a solid, meaningful feel. They have a nice metal surround and decent rubber feet to resist cable‑drag. However, once the MiniFuse is out of the box and into your hands things start to brighten up. I often wonder if the 1U form factor, favoured by audio interface manufactures, is prevalent because it’s popular or only popular because most of them are like that. They appear on first glance to be the same as so many other entry‑level audio interfaces I’ve reviewed in these pages. So, it is with a little bit of disappointment that I pull the cookie cutter forms of the MiniFuse 1 and 2 from their boxes. It was oozing with features and projected conscious style and functionality choices that raised eyebrows and nailed the desktop audio interface form factor. When Arturia revealed the AudioFuse back in 2015, it made a statement. The instruments in V Collection 9 are designed with a fluid workflow in mind, with easy interfaces, in-app tutorials, and intelligent features to deliver inspiring results without hassle.Do Arturia’s MiniFuses go off with a bang or fizzle out with a whimper? Easy to use - You don’t need to be an expert to enjoy pro sound.Perfected for you - The high-performance features that you can count on, the premium sound quality you deserve V Collection 9 is the result of over 20 years of engineering expertise, musical exploration, and a passion for audio excellence.Tap right into any style, any instrument, any time. 14,000 presets - Find the crucial mix-finishing sounds you need in a few clicks with V Collection 9’s expansive library of expertly-designed sounds, complete with easy browsing.The most iconic synths, blissful keyboards, and evocative hybrids to keep your creativity on track. The ultimate selection - A focused, hand-picked, expertly-engineered line-up of instruments that are essential for modern music production.V-Collection 9 is a premium suite of professional software instruments ranging from modern hybrid synth engines to emulations of the most evocative instruments ever made, enhanced for today’s production workflow.
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